If I Should Wash Upon the Shore, Dead, Wrapped in Plastic

after Natalie Diaz's "If I Should Come Upon Your House Lonely in the West Texas Desert"

like a rotten plum swaddled in wax paper,
I will throw the cut ends of my vocal cords

across pewter lake, let them wrap
like tentacles around your ankles.

While the men examine my body,
I will reel you across the rotting logs

and water-smoothed stones, lizard
tongues of water nymphs, up the lichened

slopes of my chest. If you call me love,
I will swim up your nose, make a home

of your sinuses, press my head against
your tear ducts so you become a rivulet.

Call me daughter, and I will morph
into a muskie riot, pierce the soles

of your feet with my teeth, every step
like walking on splinters. There is nowhere

to go but the bottom of the lake,
eyes fish-scaled by moon’s silver glint,

Gorgonian throat full of glass. I am thinking
backward—de-limbed and gilled,

no heart, six kidneys, severed head
of snakes with eyes to dessicate,

larynx clenched to shrill. I am screaming
scarlet, and no one can hear me

through sturgeon armor, mucus of algae,
my gauzed pupils scanning the shore

for no one who is not coming.

Kait Quinn

Kait Quinn (she/her) is the author of five poetry collections, and her work appears in Anti-Heroin Chic, Exposition Review, Full House Literary, and elsewhere. She received first place in table//FEAST's 2025 Nano & Micro Contest for Women Writers and Sad Girl Diaries’ 2023 Fall Poetry Contest. Kait is an Editorial Associate at Yellow Arrow Publishing. She enjoys cats, repetition, coffee shops, tattoos, and vegan breakfast. Kait lives in Minneapolis with her partner and their very polite Aussie mix.

Previous
Previous

On the Ferry Back to the Island I Came From

Next
Next

A Covenant for the Creature of the Lake Known as Old Duck