Beachfog

I

is what you call the blurry sand-dust drifting 

while we were walking Pismo Beach

and holding hands. We stood in its tidepools

like it was telling us a story. It has been here 

longer than us. For a million years, 

the ocean has wanted our cave. It will want it for a million more. 

I want you. The last time we came to Pismo, 

we carved our names into the algae 

growing on the cave walls. It was in good company:  

the initials of first loves, last loves, friends who were not lovers, 

friends who wanted badly to be lovers, all grooves in the algae, 

all salt stench, all beach hair and thinking that their names 

will last longer than them. 

We go looking for our names

but find only an empty beer can and a perfect slope of rock 

where we stop so you can press against me 

where I imagine 

building a home so you can touch

the bare skin between my swimsuit forever. 


II


is what I call the graydark of the clouds 

that whip over the sand at Pismo Beach, so thick

you have to convince me it isn’t wildfire smoke. The ocean,

you say, is just sometimes like that. Full of fog 

and darkness. I like it, your hand holding

my hand, pointing and leading like a tour guide. 

It’s our third time at Pismo and the broken opening of rock

to the right of the beach volleyball nets 

is our cave, the pier our pier, 

our bluffs, our brown pelicans, our clams and cockles, seaweed blobs, your 

hands, your hands, your hands. Pismo again, and we wouldn’t mind 

some tequila, a bit more sun, or maybe just a room 

to ourselves. Between bareskin touching, our favorite hobby at Pismo, 

we talk of the future. The future, silver and watching, heavy 

as rainclouds or ocean exhaust. We talk of schooling, 

kitchen appliances, king sized bed sheets. We talk 

of the future and I want it so bad. The future, 

and everything that could happen—

It takes closing my eyes, toeing the algae, to keep 

myself from saying out loud, Don’t die. Please.

The fear comes, real as your touch. The shells sharp edges on my feet. The crabs

clicking in tidepools. Don’t die,

I say to myself, salt whispers. The fog lifts 

as we drive away, sand coating your knees. 

The fog, turning to light. The wheel and your hands.

Katie Grierson

KATIE GRIERSON has been recognized by YoungArts and the Academy of American Poets as the 2022 Jean Burden Award Winner. She is a prose editor for Lumiere Review, and her work has appeared or is forthcoming in Body Without Organs, Rejected Lit, and Wrongdoing Mag, among others. She believes in gentleness, aliens, and risotto.

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A Note From Someone Who’s Stuck